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Nature repeats its forms over and over, in very different contexts. A marble pattern can be reminiscent of snow-capped mountains, melting glaciers, waves, or vast landscapes. At the same time, it could also appear like a highly magnified structure that is only visible under a microscope.These similarities are more than coincidence. Branching, lines, and organic patterns appear time and again, in landscapes, in water, in ice, in plants, or in tiny structures. What seems familiar to us at a certain scale can suddenly reappear at a completely different one. Marble makes this visual affinity particularly impressive. Its patterns are created over millions of years through pressure, heat, and the combination of various minerals. In the process, forms emerge within the stone that surprisingly often resemble images from entirely different parts of nature.Perhaps this is exactly why marble has fascinated people for such a long time. It has been used for sculpture and architecture since the Bronze Age. "Black Reflection," however, does not focus on what has been made from marble, but rather on what the stone itself reveals: patterns that recall forms and structures from very different worlds, from vast landscapes to microscopic realms. Set of 3 limited art prints Format: A3, 297 × 420 mm each Risograph printed in Zurich, Switzerland Lessebo design paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

Over 1,000 years ago in China, goldfish began to be selectively bred for their appearance. Over generations, increasingly unusual shapes and colors emerged. Fish that were initially kept primarily for food became creatures of extraordinary form.During the Ming Dynasty, this breeding continued to develop. Especially sought after were forms with long, flowing fins, highly rounded bodies, striking eyes, and increasingly unusual proportions. Some of these fish had silhouettes reminiscent of flowers and were therefore poetically referred to as "peonies in the water."Their beauty lies not in classical perfection, but precisely in something fragile, alien, and almost morbid. Their slow movements, exaggerated forms, and seemingly weightless bodies give them a peculiar, almost surreal effect.To this day, goldfish hold a special cultural significance in China and are considered, among other things, a symbol of luck, prosperity, and beauty. Over the centuries, this resulted in bred forms that lie between natural appearance and human imagination. "Morbid Being" draws attention to this unusual aesthetic. Set of 3 limited edition art prints Format: A3, 297 × 420 mm each Risograph printed in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & Design: Bienvenue Studios

Anyone seeing these stones for the first time might think they were a work of art created by human hands. Their round openings are too regular, their shapes too precise. Yet no human created them; they are the work of mollusks.Piddocks bore into soft rock, creating their own chambers within. Using their ridged shells, they rasp away the rock, working their way ever deeper into the stone. This results in small, precisely crafted sculptures that look as if they were made by human hands.When the mollusks move on, their boreholes remain in the stone. The soft rock is surprisingly light and fragile. Even slight pressure can cause the delicate forms to break.Our stones come from a beach in Bolinas, California. Their unusual lightness became the starting point for our interpretation. For "Pacific Marks," we documented them and staged them photographically so that they appear to float freely above the paper. Set of 3 limited art prints Format: A3, each 297 × 420 mm Risograph printed in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

According to a Chinese legend, a monk prayed by a river for years with great sincerity and devotion. A god was so impressed by this that he let thousands of colorful flowers rain down from the sky. When they touched the ground, they turned into glowing stones.The so-called riverstones or "Yuhua Stones" are actually only found in a limited area along the Yangtze River near Nanjing. Over a long period, they are moved, abraded, and polished by the flowing water. As a result, their varied colors, layers, and fine textures become increasingly prominent.Many of the stones display natural patterns that resemble small landscapes: mountains, streams, clouds, or abstract shapes. For centuries, people have observed and collected these stones, constantly discovering new images in their markings. No two stones are alike."Riverstones" showcases these fascinating river stones, shaped by water, marked by time. Each one carries its own landscape within it, which only emerges in the eye of the beholder. Set of 3 limited art prints Format: A3, 297 × 420 mm each Risograph print in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

When it gets dark, the leaves of so-called prayer plants begin to move. They fold upward, sometimes pressing so closely together that they resemble folded hands. With the first light of morning, they open once again.This daily movement follows the plant’s natural rhythm. The best-known prayer plants belong to the Marantaceae family, which originated in the tropical regions of the Americas. Their leaves are adorned with fine lines, dots, and geometric designs—patterns that seem more crafted than grown.Depending on the species, the combinations of deep green tones, light patches, and delicate leaf veins vary greatly. In the interplay of light and shadow, these designs shift in appearance. Each leaf resembles its own graphic image, appearing almost hand-drawn with its own unique structure."Praying Hands" focuses on this unusual connection between movement and pattern: plants whose leaves close every evening and open again every morning. A silent, daily recurring movement that gave them their name. Set of 3 limited edition art prints Format: A3, 297 × 420 mm each Risograph printed in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

Anyone seeing these stones for the first time might think they were a work of art created by human hands. Their round openings are too regular, their shapes too precise. Yet no human created them; they are the work of mollusks.Piddocks bore into soft rock, creating their own chambers inside. Using their corrugated shells, they rasp away the stone, working their way deeper and deeper into it. This results in small, precisely crafted sculptures that look as if they were made by human hands.When the mollusks move on, their boreholes remain in the stone. The soft rock is surprisingly light and fragile. Even slight pressure can cause the delicate forms to break.Our stones come from a beach in Bolinas, California. Their unusual lightness became the starting point for our interpretation. For "Pacific Marks," we documented them and staged them photographically so that they appear to float freely above the paper. Set of 3 limited art prints Format: A3, 297 × 420 mm each Risograph printed in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC® certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

Succulents often look like small sculptures. However, their thick leaves, stems, and unusual shapes are not just aesthetic; they are the result of an astonishing adaptation to extreme habitats.Over long periods of time, succulents have adapted to heat, intense sunlight, and long dry spells. Where water is only rarely available, they store it in their leaves or roots. Some species can thus survive for months on the water they absorbed during short periods of rain.What appears calm and almost static from the outside is, on the inside, an ingenious water storage system. The plants themselves become small reservoirs, quiet oases in a dry landscape.«Quiet Water» shows this hidden side of succulents: plants whose fascinating forms arise directly from their ability to collect, preserve, and use water as sparingly as possible. Set of 3 limited art prints Format: A3, 297 × 420 mm each Risograph print in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

Hardly any other animal combines beauty and vulnerability as directly as the butterfly. Since antiquity, its astonishing transformation has fascinated us: a caterpillar becomes a seemingly lifeless chrysalis, from which a completely different creature finally emerges. What happens inside during this time remains hidden from our view. In many cultures, this metamorphosis has therefore become a symbol for rebirth and change.Yet behind their delicate appearance lies a complex life. Butterflies are closely linked to plants: many caterpillars depend on very specific plants, while the adult insects visit flowers, thereby contributing to pollination. They are thus part of a vast, branched ecological network.It is precisely this dependency that makes them sensitive to change. Loss of habitat, intensive agriculture, and climate change are putting many species under pressure. When temperatures and living conditions change, their distribution ranges can also shift. If the plant that a caterpillar needs to survive disappears, the butterfly often disappears as well. Their beauty is therefore inseparably linked to the landscape in which they live."Sun Fluttering" presents butterflies in their extraordinary diversity, as fascinating creatures of transformation and as part of a sensitive natural system. Set of 3 limited edition art prints Format: A3, each 297 × 420 mm Risograph printed in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

From the outside, they may look like ordinary stones. Only a cut reveals what has been hidden inside for millions of years: layers of minerals, vibrant colors, fine lines, and sometimes entire crystal landscapes. A stone can hold an entire world within it.Many of these structures form in cavities within the rock. Mineral-rich liquids penetrate small cracks and voids, depositing new minerals layer by layer over long periods of time. This is how the characteristic bands and patterns of agates are formed. The shapes and colors that develop depend, among other things, on the composition of the minerals and the conditions during their formation.It is only through cutting and polishing that this hidden world becomes visible. Each cross-section tells its own geological story. Sometimes it is reminiscent of a landscape, sometimes an abstract drawing."Mountain Treasures" showcases these hidden inner worlds: images created from minerals, water, and time, shaped by the slow forces of the earth. Set of 3 limited art prints Format: A3, 297 × 420 mm each Risograph printed in Zurich, Switzerland Lessebo design paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

In Lake Taihu near Suzhou in China, you can find stones of extraordinary shape: perforated, craggy, and with bizarre silhouettes. Over long periods of time, they have been shaped by the power of water and erosion into small sculptures of nature. Some resemble mountains, animals, or human figures, while others leave plenty of room for one's own imagination.In Chinese, these special stones are called "Gongshi." They were traditionally collected by scholars and displayed on desks, in interiors, and in gardens. The focus was not only on their material value, but on the conscious observation of their forms and the thoughts they trigger.Since the Ming Dynasty, viewing stones have been part of this Chinese tradition of collecting and contemplation. To this day, they are valued as precious collector's items and meditation stones. "Viewing Stones" presents these natural works of art as an invitation to take time and sink into one's own thoughts for a moment. Set of 3 limited edition art prints Format: A3, 297 × 420 mm each Risograph print in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & Design: Bienvenue Studios

We were immediately fascinated when we discovered these remarkable pieces of deadwood on a beach in New Zealand. Their unusual surfaces and sculptural forms seem almost like works of art created by nature. Yet behind these intriguing shapes lies more than just the visible remnant of a tree; they are part of a living ecosystem.Deadwood is anything but "dead." As soon as a tree dies, a new chapter begins in the natural cycle. Fungi, lichens, mosses, ferns, and numerous insect species use the wood as a habitat. They leave traces, bore tunnels, and alter its surface. As the wood slowly decomposes, nutrients are returned to the soil. This creates a complex network of interdependencies that contributes significantly to biodiversity.Deadwood also plays an important role in forest regeneration. It can store moisture, gradually release nutrients, and provide sheltered conditions in which young plants can grow. Especially during dry periods, the stored water can be invaluable for the forest and its inhabitants.Virtues of Wood showcases deadwood as fascinating sculptures of nature and as an essential part of the natural cycle. What looks like the end of a tree is, in reality, a place where life continues, changes, and is renewed. Set of 3 limited art prints Format: A3, 297 × 420 mm each Risograph print in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios

They seem like tiny beings from an alien world: mysterious, enigmatic, and at first glance barely recognizable as what they are. Seeds.Magnified, they reveal a world that usually remains hidden. Fine structures, unusual shapes, and surfaces that are more reminiscent of small sculptures than the beginning of a plant. Yet these tiny forms already carry within them the potential for something far greater. Under the right conditions, a plant begins to grow from a seed: a flower, a shrub, or perhaps a massive tree that endures for decades or even centuries.For "Origins," we photographed seeds from the collection of Jonas Frei of Atelier Foifacht. Through extreme magnification, they become unique forms and reveal an aesthetic that is easily overlooked in everyday life."Origins" shows the beginning of something great in its smallest form: seeds as mysterious objects and as the starting point of new life. Small enough to hold in your hand, yet with the potential to produce something that can outlast generations. Set of 3 limited art prints Format: A3, 297 × 420 mm each Offset printed in Zurich, Switzerland Lessebo natural paper, 200 g/m² Cradle to Cradle Certified® and FSC®-certified paper Limited edition: 200 copies Swiss Made Concept & design: Bienvenue Studios